Stuart Perkins of Cause 4 Concern.
---------- http://www.dazzletickets.co.nz/tickets/event.php?id=1988 -----------
-----------------------------DUB MILITIA'S PRESENTS:--------------------------------
---------------------------PRISONERS OF BASS [P.O.W]-----------------------------
A Bi-Monthly ELECTRONIC MUSIC event that Dub Militia will be holding with different international electronic music producer every two months as well as hosting some of the best local DJs/Producers.
Designed with punters in mind tickets are super cheap, the sound will be boosted courtesy of the dub militia sound system and we will have cheap drinks on each night!
This events genre is DRUM AND BASS and we will be hosting:
CAUSE 4 CONCERN (UK)
Support from:
VICE / MYRRHMA / EVADE / DOSAGE / ECHO COMPANY / JASON HOWSON
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SET TIMES:
Dosage B2B Intercept 10:00pm - 11:30pm
Myrrhma 11:30pm - 12:30am
Cause 4 Concern (Stuart) 12:30am - 2:30am
Echo Company 2:30am - 4:00am
Jason Howson 4:00am - 5:00am
Evade 5:00am - 5:45am
Blank Closing
CAUSE 4 CONCERN: http://www.myspace.com/cause4concerndnb
That every cause has an effect is common knowledge. For Optiv, Stuart, Toby and Mark, the cause is drum & bass, and their effect is both indelible and undeniable. Known collectively as Cause 4 Concern, the crew came together back at the start of 1999, when Optiv was affiliated with Aspect Records, and Stuart and Mark were working for Vinyl Distribution.
A testament to their talent, it took only a few short months of collaborative creation before they scored their first signing – and not just to any old label –
but the massive and seminal MOVING SHADOW. At the time they were known as nCode, but by July they had become Cause 4 Concern and started their own imprint label. The first 12” dropped that December, and secured the support of DJs Doc Scott, Fierce and Grooverider, amongst many others.
Releases on respected labels Tru Playaz, Renegade Hardware, Moving Shadow and Timeless Recordings were to follow.
Promoter’s right across the planet couldn’t help but pay attention, and consequently there aren’t many places C4C haven’t performed.
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